TY - JOUR
T1 - What does the guitalele like sound
T2 - Guitar or ukelele? An application of the K-means cluster method
AU - Fuentealba, Juan Francisco
AU - Michea, Sebastián
N1 - Publisher Copyright:
© 2024 Author(s).
PY - 2024/11/1
Y1 - 2024/11/1
N2 - This study embarks on a novel investigation into the guitalele’s acoustic properties, aiming to delineate its sound profile relative to its progenitors—the guitar and the ukulele. Leveraging a multifaceted approach that combines subjective perception surveys with objective frequency response analysis, we scrutinize the guitalele’s harmonic spectrum to elucidate its unique tonal identity. The experimental setup involved precise recordings of each instrument’s output across a range of notes, followed by sophisticated audio analysis techniques including Fourier transform to dissect the harmonic components and cross-correlation functions to identify representative sound pulses. In addition, advanced statistical methods, specifically K-means clustering, were applied to the harmonic data, offering a quantitative perspective on the guitalele’s sound classification relative to the guitar and ukulele. The investigation reveals that the guitalele embodies a complex acoustic blend, mirroring the guitar’s harmonic richness while retaining timbral characteristics reminiscent of the ukulele. Despite its closer visual and geometric alignment with the ukulele, the guitalele’s sound is predominantly influenced by the guitar, suggesting a hybrid sonic identity that transcends a simple binary classification. This unique amalgamation of sound properties suggests that the guitalele offers musicians a distinct voice that leverages the qualities of both instruments while establishing its own acoustic signature.
AB - This study embarks on a novel investigation into the guitalele’s acoustic properties, aiming to delineate its sound profile relative to its progenitors—the guitar and the ukulele. Leveraging a multifaceted approach that combines subjective perception surveys with objective frequency response analysis, we scrutinize the guitalele’s harmonic spectrum to elucidate its unique tonal identity. The experimental setup involved precise recordings of each instrument’s output across a range of notes, followed by sophisticated audio analysis techniques including Fourier transform to dissect the harmonic components and cross-correlation functions to identify representative sound pulses. In addition, advanced statistical methods, specifically K-means clustering, were applied to the harmonic data, offering a quantitative perspective on the guitalele’s sound classification relative to the guitar and ukulele. The investigation reveals that the guitalele embodies a complex acoustic blend, mirroring the guitar’s harmonic richness while retaining timbral characteristics reminiscent of the ukulele. Despite its closer visual and geometric alignment with the ukulele, the guitalele’s sound is predominantly influenced by the guitar, suggesting a hybrid sonic identity that transcends a simple binary classification. This unique amalgamation of sound properties suggests that the guitalele offers musicians a distinct voice that leverages the qualities of both instruments while establishing its own acoustic signature.
UR - https://www.scopus.com/pages/publications/85210317829
U2 - 10.1063/5.0220394
DO - 10.1063/5.0220394
M3 - Article
AN - SCOPUS:85210317829
SN - 2158-3226
VL - 14
JO - AIP Advances
JF - AIP Advances
IS - 11
M1 - 115027
ER -